Psalsms, the Song of the Church – Piux X

St. Pope Pius X on the psalms which he calls “the voice of the church,” which play a central role in the continual sacrifice of praise which is the divine liturgy.  Singing the psalms is the best way to praise and bless God due to their inspiration by the Holy Spirit, as Athanasius, Basil, and Augustine point out, following inspired Scripture itself.

The collection of psalms found in Scripture, composed as it was under divine inspiration, has, from the very beginnings of the Church, shown a wonderful power of fostering devotion among Christians as they offer to God a continuous sacrifice of praise, the harvest of lips blessing his name. Following a custom already established in the Old Law, the psalms have played a conspicuous part in the sacred liturgy itself, and in the divine office. Thus was born what Basil calls the voice of the Church, that singing of psalms, which is the daughter of that hymn of praise (to use the words of our predecessor, Urban VIII) which goes up unceasingly before the throne of God and of the Lamb, and which teaches those especially charged with the duty of divine worship, as Athanasius says, the way to praise God, and the fitting words in which to bless him. Augustine expresses this well when he says: God praised himself so that man might give him fitting praise; because God chose to praise himself man found the way in which to bless God.

The psalms have also a wonderful power to awaken in our hearts the desire for every virtue. Athanasius says: “Though all Scripture, both old and new, is divinely inspired and has its use in teaching, as we read in Scripture itself, yet the Book of Psalms, like a garden enclosing the fruits of all the other books, produces its fruits in song, and in the process of singing brings forth its own special fruits to take their place beside them.”  In the same place Athanasius rightly adds: “The psalms seem to me to be like a mirror, in which the person using them can see himself, and the stirrings of his own heart; he can recite them against the background of his own emotions.”

Augustine says in his Confessions: “How I wept when I heard your hymns and canticles, being deeply moved by the sweet singing of your Church. Those voices flowed into my ears, truth filtered into my heart, and from my heart surged waves of devotion. Tears ran down, and I was happy in my tears.”

angel harp

Indeed, who could fail to be moved by those many passages in the psalms which set forth so profoundly the infinite majesty of God, his omnipotence, his justice and goodness and clemency, too deep for words, and all the other infinite qualities of his that deserve our praise? Who could fail to be roused to the same emotions by the prayers of thanksgiving to God for blessings received, by the petitions, so humble and confident, for blessings still awaited, by the cries of a soul in sorrow for sin committed? Who would not be fired with love as he looks on the likeness of Christ, the redeemer, here so lovingly foretold? His was the voice Augustine heard in every psalm, the voice of praise, of suffering, of joyful expectation, of present distress.

 This excerpt on the importance of the singing the psalms, the voice of the church, comes from Pius X’s apostolic constitution Divino Afflatu (AAS 3 [1911], 633-635).  It is used in the Roman Office of Readings for the memorial of St. Pius X on August 21.

Pope Pius X, St.

St. Pius was born in 1835 in the region of Venice, Italy, one of ten children. He became a priest, then bishop of Mantua, and Patriarch of Venice before being elected Pope in 1903. He is best known for his love of the liturgy and his restoration of Holy Communion to children seven years of age and older (first communion had customarily been delayed till age 12 or so). He died in 1914.